Records
My Hair is Everywhere (6 november 2025)
Klinck Trio (Elisabeth Klinck, Maya Dhondt & Adia Vanherentals)
Klinck Trio is a new project together with saxophonist Adia Vanherentals, and pianist Maya Dhondt. Rooted in jazz and classical traditions, they create slowly unfolding soundscapes where melody and silence intertwine—inviting listeners into a delicate childlike space of intimacy and discovery.
will be released on VIERNULVIER records (Gent)
Chronotopia (2025 Hallow Ground)
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Klinck describes »Chronotopia« as a playful exploration of time—its fluidity, its constraints, and its influence on how we navigate the world. These notions reverberate through her melodies and lyrics, which dance between moments of shimmering clarity and messy, beautiful chaos. These contrasts are further accentuated by the cunning interplay of voice and violin, which itself reflects the artist’s fascination with duality and transformation. Recorded in both organic and controlled environments, »Chronotopia« blurs the lines between intuition and design. The »time-space« into which Klinck invites her audience is a place where sound becomes touch, time bends like light, and every moment carries the thrill of discovery.
Greetings (2024 Bedroom Community)
Isabelle Lewis (Elisabeth Klinck, Benjamin Abel Meirhaeghe & Valgeir Sigurdsson)
the album as a whole is elegantly shaped, swelling from an intimate, interpersonal statement into something deeper and more spacious. The first half of the album leans slightly towards self-contained pop songcraft and ticking beats, while side B jumps off from “O Solitude” into the almost symphonic grandeur of songs like “Moonshell” or the instrumental “Not the water, air, or the dirt.”
But as it progresses, the contrasts only grow more sublime: antique and postmodern, human and machinelike. The ominous weight of the droning sub-bass and trombone (guest player Helgi Hrafn Jónsson) only makes the interplay between vocals and violins (guest player Daniel Pioro joining Elisabeth) seem more delicate and vulnerable. The ethereal string tremolos of “Moonshell” seem to pull against the heavy, shuddering electronics and layers of crooning vocals
Picture a Frame (2023 Hallow Ground)
"The debut album by Belgian composer and violinist Elisabeth Klinck is as much a result of close listening as it provides an opportunity for it. Recorded and produced together with artist Oscar Claus in near total isolation in the Spanish countryside, it frames and enriches her compositions for solo violin with electronic soundscapes and field recordings. »Picture a Frame« invites its listeners to eavesdrop on an artistic dialogue happening inside an idiosyncratic space outside of conventional time."
Pair, Paire (2022 Blickwinkel)
Nils Vermeulen on Bas & Elisabeth Klinck on Violin
While knowing each other for a longer period, on Pair, Paire we hear the duo coming together for the very first time. On a Friday somewhere in last years’ October, Klinck & Vermeulen entered the stage without any prior rehearsals or arrangements. Improvisation in its purest form, you could say. Using their primary instruments, respectively violin and double bass, they slowly weaved together their sonic language until it comes at a point where it is almost impossible to disentangle their individuality.
“While listening back to the recordings, at some points it was difficult to distinguish who played which note. It felt that everything came together so organically that it almost appears as if the music was only played with one instrument and its player.”
Débrouillage (2022)
Common Ground vol.2 is a digital compilation of ambient, experimental music and field recordings, gathering together a roster of artists who’ve put their sonic imprint firmly on 2022, and who add up to a collective ‘who’s who’ of ambient and experimental contemporary music.
The release features exclusive tracks from mysterious ambient producer Abul Mogard, Kenyan rising sound artist Nyokabi Kariuki, New York-based Rafael Anton Irisarri offering a featuring with multi-instrumentalist Benoît Pioulard, Taiwanese musician Sabiwa, Dutch-Italian sound designer Grand River, Warsaw-based music creator Piotr Kurek, Chinese multi-media artist Li Yilei, Slovakian composer Adela Mede, rising Belgian violinist Elisabeth Klinck as well as Safe Ground’s founder LB Marszalek.
All benefits from Common Ground vol.2 will be donated to Help Refugees/Choose Love and Sea-Watch NGOs.
Woning Jozef Schellekens (2022)
This recording documents the dialogue between Klinck and the early brick-modernist home t
hat Jozef Schellekens built for himself and his family in Turnhout.
Elisabeth Klinck is firstly a musician and more precisely a violinist.
The direct relationship with her instrument is her main reference when performing and composing, but she easily moves between different techniques and practices, genres and media creating her own unique sound world. She talks about playing the violin as a daily ‘work’ and listening to her play you can hear her working. It’s a labor of seeking, thinking and doing.
